Free indirect style was so simple. He'd have to say something about it. How simple it was. Have to argue against Blakey's view.
by | 03.22.2011
I've been thinking a bunch about free indirect style -- I may try to incorporate this issue into a short talk I'm giving in April. Or not.
by | 03.22.2011
About a year ago, I put out on my label Brassland what I think is one of the best records I've ever had anything to do with, a strange & mysterious song cycle called The Creatures in the Garden of Lady Walton by a group called Clogs.
by | 03.18.2011
In spite of the recent discussion of the topic in the New York Times, I realize there is something antiquarian about my urge to think aloud about the nature of literary criticism. The decline of that role in society probably matters only to a fairly small caste of humanistically inclined readers. The implications of the decline, however, should matter to everyone.
Literary Need 2: The Childlike Life of The Black Tarantula, by The Black Tarantula and other stories and other stories
by | 03.16.2011
Kathy Acker's first book appeared, in at least one version, as The Childlike Life of the Black Tarantula by The Black Tarantula (in 1975, as published by Viper's Tongue Books).
by | 03.14.2011
As I've been fond of reminding everyone I've run into the last few days (because I'm something of a smarmy shit), I have been embedded in a cabin-like structure on a hillside in the Echo Park neighborhood of Los Angeles for over two weeks now.
by | 03.11.2011
Question: Where does friendship turn into a thing? Answer: On Facebook. I don’t mean that new digital technologies convert friends into objects. This would be a simplistic reading of social media. I argue, rather, that they transform our human desire for connections into a commercial activity.
by | 03.08.2011
the erotic maskWorn the world over by illusionTo weddings of itself and simple need.
by | 03.07.2011
As of this week, Arcade has complete audio from a recent Rutgers symposium on new directions in ecocriticism, with talks by Rob Nixon, Cate Sandilands, Timothy Morton, and Ursula Heise.