In a recent post about Stephen Best and Sharon Marcus's article "Surface Reading," I suggested that the history of a text's reception could constitute a surface-reading practice. Here, I want to take up my promise to discuss the affinities between reception history and one of the modes of reading that Best and Marcus do include: genre criticism.
Blogs
The Forgotten Horizons of The Story of an African Farm
- Anne DeWitt's blog
- Login or register to post comments
- Read more
Visualizing Literature 1: Languages Spoken and Learned
Mixtape Three: The "Mixtape" Mixed Tape
This is the imaginary soundtrack to a film that, knowing the film business, will never get made. You can read about the script online.
- Alec Hanley Bemis's blog
- Login or register to post comments
- Read more
The Biopolitics of Iron Lady
The Naïve Art of the Internet Age
“Imagine a world without art.” This could easily have been the message greeting visitors to the Wikipedia site on January 18, 2012, when it went silent in protest against legislation proposed in Congress (Stop Online Privacy Act, or SOPA). For Wikipedia and Google the issue is “free information” in the “open” Internet.
Reception History as Surface Reading
I recently, albeit somewhat belatedly, read Stephen Best and Sharon Marcus's 2009 article "Surface Reading: An Introduction" which opens their special issue of Representations on "The Way We Read Now."
The Revenge of the Middle Class
In a recent NPR piece TV critic Eric Deggans cites shows like "Hell on Wheels," Sons of Anarchy," "Dexter," and "Breaking Bad" as evidence of a proliferations of television programs featuring "characters the audience likes and wants to see succeed, even though they act an awful lot like villains.
- William Egginton's blog
- Login or register to post comments
- Read more
Friendship in a Freshman Seminar
What can we learn from eighteen eighteen-year-olds about friendship? Here are some ethnographic notes I made from a freshman seminar I taught this past fall.
- Gregory Jusdanis's blog
- Login or register to post comments
- Read more
The Tolson Exception: the Anthology in the 21st Century
Whenever a new anthology of modern U.S. poetry comes along, it seems that some distinguished critic or other is fated to take up arms, defending his or her vision of canonical distinction against the treachery of "inclusiveness." The latest eminence to cast herself as such a centurion is Helen Vendler, who reproaches Rita Dove's Penguin Anthology of 20th Century American Poetry (2011) in a review that has garnered no shortage of sensational, morbid attention ("Are These the Poems to Remember?," NYRB, November, 2011).
The Fireworks online & offline
Back on the grid again, after a holiday week in Amsterdam & Barcelona, which brought some deep thoughts on life online & off as well as some literal fireworks.

