Blogs

The Forgotten Horizons of The Story of an African Farm

In a recent post about Stephen Best and Sharon Marcus's article "Surface Reading," I suggested that the history of a text's reception could constitute a surface-reading practice. Here, I want to take up my promise to discuss the affinities between reception history and one of the modes of reading that Best and Marcus do include: genre criticism.

Visualizing Literature 1: Languages Spoken and Learned

One of the insights I took away from the recent MLA conference was the sheer difficulty both of communicating complicated information in a short amount of time when I went to panels, as well as the impossibility of absorbing such an overwhelming volume of information. A key tool that I felt was underutilized during the conference are graphics that could concisely communicate information relevant to literary study.

Mixtape Three: The "Mixtape" Mixed Tape

This is the imaginary soundtrack to a film that, knowing the film business, will never get made. You can read about the script online.

The Biopolitics of Iron Lady

I must say that I absolutely love Meryl Streep and I was so happy to see her win the Golden Globe award for Iron Lady.  Once the film came out I went to see it with my film critic sister.  Once again, I must say I loved the performance by Streep.  After Anna Magnani and Giulietta Masina I think she is one of the most outstanding female actresses of the world.

The Naïve Art of the Internet Age

“Imagine a world without art.” This could easily have been the message greeting visitors to the Wikipedia site on January 18, 2012, when it went silent in protest against legislation proposed in Congress (Stop Online Privacy Act, or SOPA). For Wikipedia and Google the issue is “free information” in the “open” Internet.

Reception History as Surface Reading

I recently, albeit somewhat belatedly, read Stephen Best and Sharon Marcus's 2009 article "Surface Reading: An Introduction" which opens their special issue of Representations on "The Way We Read Now."

The Revenge of the Middle Class

In a recent NPR piece TV critic Eric Deggans cites shows like "Hell on Wheels," Sons of Anarchy," "Dexter," and "Breaking Bad" as evidence of a proliferations of television programs featuring "characters the audience likes and wants to see succeed, even though they act an awful lot like villains.

Friendship in a Freshman Seminar

What can we learn from eighteen eighteen-year-olds about friendship? Here are some ethnographic notes I made from a freshman seminar I taught this past fall.

The Tolson Exception: the Anthology in the 21st Century

Whenever a new anthology of modern U.S. poetry comes along, it seems that some distinguished critic or other is fated to take up arms, defending his or her vision of canonical distinction against the treachery of "inclusiveness." The latest eminence to cast herself as such a centurion is Helen Vendler, who reproaches Rita Dove's Penguin Anthology of 20th Century American Poetry (2011) in a review that has garnered no shortage of sensational, morbid attention ("Are These the Poems to Remember?," NYRB, November, 2011).

The Fireworks online & offline

Back on the grid again, after a holiday week in Amsterdam & Barcelona, which brought some deep thoughts on life online & off as well as some literal fireworks.

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