04.30.2018

In his final film, the late Iranian director pushes the boundary between photography and film to its limit by breaking down the distinction between moment and duration. This reimagination of form would never have been possible without Kiarostami’s openness to digital techniques.

Ayten Tartici's picture
Ayten Tartici
Ayten Tartici is a Ph.D. candidate in the Department of Comparative Literature at Yale University. Her essays have appeared in The Atlantic, The Los Angeles Review of Books, Michigan Quarterly Review and MAKE Literary Magazine.