Blanchot (commenting on Priam's supplication of Achilles) says the choice in Homer is violence or speech. In Vergil, in the modern state, our choice is only violence or the silence, whether of Dido or Ajax, imposed upon us by our isolation within the emptiness of our dreams (Milton).
The Golden Bowl
Free indirect style was so simple. He'd have to say something about it. How simple it was. Have to argue against Blakey's view.
I've been thinking a bunch about free indirect style -- I may try to incorporate this issue into a short talk I'm giving in April. Or not.
At the end of a work of fiction, the ideal reader knows as much as the author. How could it be otherwise? There is nothing else to know.
This means that the end of the work is the end of omniscience.