http://arcade.stanford.edu/category/tags/film The taxonomy view with a depth of 0. en-ac http://arcade.stanford.edu/steven-ungar-making-waves-documentary-film-context http://arcade.stanford.edu/steven-ungar-making-waves-documentary-film-context#comments Alain Resnais documentary Film French New Wave Katz Distinguished Lectures realism Simpson Center for the Humanities at the University of Washington Steven Ungar The Arcade Channel 37:22 Steven Ungar no http://arcade.stanford.edu/crss/node/1019 Thu, 17 Feb 2011 13:40:43 -0800 Natalia Cecire 1019 at http://arcade.stanford.edu http://arcade.stanford.edu/between-two-points-2-of-2 <p>Nauman walks the walk. <i>Slow Angle Walk (Beckett Walk) </i>(1968) does the work of envisioning Watt’s “way of advancing” for you.  I have cast Beckett’s description of Watt’s walk as creating <a href="/shortest-distance-1-of-2" title="Shortest Distance..." target="_blank">a series of imperatives</a> for the reader: you <i>have to</i> envision Watt’s “way of advancing,” then you <i>have to</i> edit that vision to account for unbending knees and feet, then again for position of head and arms. But really, it’s your prerogative (cue Bobby Brown).</p> <p><a href="http://arcade.stanford.edu/between-two-points-2-of-2">read more</a></p> http://arcade.stanford.edu/between-two-points-2-of-2#comments apexart Beckett Bruce Nauman Film reading temporality Watt http://arcade.stanford.edu/crss/node/995 Sun, 24 Oct 2010 06:52:19 -0700 Claire Bowen 995 at http://arcade.stanford.edu http://arcade.stanford.edu/huddling-together-nervously-loquacious-2 <p>Where to go to start thinking about <a href="/huddling-together-nervously-loquacious">these questions</a>? </p> <p><a href="http://arcade.stanford.edu/huddling-together-nervously-loquacious-2">read more</a></p> http://arcade.stanford.edu/huddling-together-nervously-loquacious-2#comments Film Robert Altman http://arcade.stanford.edu/crss/node/522 Mon, 21 Dec 2009 23:58:32 -0800 Sianne Ngai 522 at http://arcade.stanford.edu http://arcade.stanford.edu/huddling-together-nervously-loquacious <p>Kenneth Burke, <i>P</i><i>ermanence and Change</i> (1935): “[Men] build their cultures by huddling together, nervously loquacious, at the edge of an abyss&quot; (272). What was behind the distinctive style of loquaciousness which was once so popular for actors — and most strikingly female ones — in the Hollywood comedies of the 1930s?</p> <p><a href="http://arcade.stanford.edu/huddling-together-nervously-loquacious">read more</a></p> http://arcade.stanford.edu/huddling-together-nervously-loquacious#comments Film style http://arcade.stanford.edu/crss/node/377 Sat, 03 Oct 2009 10:24:36 -0700 Sianne Ngai 377 at http://arcade.stanford.edu http://arcade.stanford.edu/back-school <p>Thanks to the curious rhythms of the quarter system, it’s finally now back to school here at the University of California at Santa Cruz. We’ll be marking it -- faculty, staff, and students -- with a walkout on Thursday, September 24 to protest the budget cuts that have so battered this institution and others throughout California.</p> <p><a href="http://arcade.stanford.edu/back-school">read more</a></p> http://arcade.stanford.edu/back-school#comments Children Children&#039;s Literature Film Genre Literary Theory http://arcade.stanford.edu/crss/node/368 Wed, 23 Sep 2009 07:52:16 -0700 Vilashini Cooppan 368 at http://arcade.stanford.edu