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 <title>Somatic Medium</title>
 <link>http://arcade.stanford.edu/somatic-medium</link>
 <description>&lt;p class=&quot;MsoNormal&quot;&gt;In my last post, I discussed gesture in James Cameron’s &lt;i&gt;Avatar&lt;/i&gt;.  In a response, Josh Landy asked me to think a bit beyond the terms I’d set up in that piece (which focused on what gesture &lt;i&gt;means&lt;/i&gt;) to consider what it is we &lt;i&gt;do&lt;/i&gt; when we gesture.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://arcade.stanford.edu/somatic-medium&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
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 <category domain="http://arcade.stanford.edu/category/tags/body">body</category>
 <category domain="http://arcade.stanford.edu/category/tags/brian-rotman">Brian Rotman</category>
 <category domain="http://arcade.stanford.edu/category/tags/dan-graham">Dan Graham</category>
 <category domain="http://arcade.stanford.edu/category/tags/gesture">gesture</category>
 <category domain="http://arcade.stanford.edu/category/tags/installation">Installation</category>
 <category domain="http://arcade.stanford.edu/category/tags/matthew-arnold">Matthew Arnold</category>
 <category domain="http://arcade.stanford.edu/category/tags/ohad-meromi">Ohad Meromi</category>
 <category domain="http://arcade.stanford.edu/category/tags/relationship">Relationship</category>
 <category domain="http://arcade.stanford.edu/category/tags/sculpture">Sculpture</category>
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 <pubDate>Wed, 07 Apr 2010 19:12:25 -0700</pubDate>
 <dc:creator>Claire Jarvis</dc:creator>
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 <title>Boundless Bodies: &quot;bio-art&quot; in 2009—or the man with three ears</title>
 <link>http://arcade.stanford.edu/boundless-bodies-bio-art-2009-or-man-three-ears</link>
 <description>&lt;p&gt; A new trend in the arts is to use human and animal organic tissues (mixed or grown together) instead of paint, clay or other traditional media as the primary material for art. The artificiality in art is literal, and yet subverted, the artificial becoming natural, being grown out of the natural world, and - more disturbingling - creating a new &amp;quot;natural&amp;quot; or at least living world. &lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://arcade.stanford.edu/boundless-bodies-bio-art-2009-or-man-three-ears&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
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 <pubDate>Tue, 01 Dec 2009 05:45:52 -0800</pubDate>
 <dc:creator>Cecile Alduy</dc:creator>
 <guid isPermaLink="false">487 at http://arcade.stanford.edu</guid>
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 <title>Sensual Poetics</title>
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 <description>&lt;p&gt;
Pornographic literature is dismissed as an oxymoron by many scholars because we expect ‘literature’ to imply form, while the endless repetition of unproblematic sex acts denies us the comforting format of beginning, middle, and end.&lt;p&gt;&lt;a href=&quot;http://arcade.stanford.edu/sensual-poetics&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
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 <category domain="http://arcade.stanford.edu/category/tags/poetry">poetry</category>
 <category domain="http://arcade.stanford.edu/taxonomy/term/10">sex</category>
 <category domain="http://arcade.stanford.edu/category/tags/sontag">sontag</category>
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 <pubDate>Thu, 30 Jul 2009 22:04:01 -0700</pubDate>
 <dc:creator>Cecile Alduy</dc:creator>
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 <title>The Biology of Writing </title>
 <link>http://arcade.stanford.edu/biology-of-writing</link>
 <description>There is the question of the influence of technology (or absence
thereof) on the way we think and write. But I recently came across the
question of the biology of writing: what are we writing with? Our
minds, our hands, our guts, or an immaterial mix of
subconscious/reason/emotion peppered with cruise-controlled linguistic
automatisms?&lt;p&gt;&lt;a href=&quot;http://arcade.stanford.edu/biology-of-writing&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
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 <pubDate>Wed, 14 Jan 2009 23:21:55 -0800</pubDate>
 <dc:creator>Cecile Alduy</dc:creator>
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