http://arcade.stanford.edu/category/tags/embodiment The taxonomy view with a depth of 0. en-ac http://arcade.stanford.edu/embodiment-mobility-and-transmission <p>One of the things I most cherish about having an interdisciplinary practice is the opportunity to think about how ideas from one context can enhance another. I spent the past week on a residency at <a href="http://mounttremperarts.org/">Mount Tremper Arts </a>for <a href="http://ilandsymposium.wordpress.com/">iLAND</a> (Interdisciplinary Laboratory for Art, Nature, and Dance), as part of a collaboration called Fieldwork: Seed Dispersal with Jan Mun and Emily Drury, which investigates relationships between the migration of seeds and of people.</p> <p><a href="http://arcade.stanford.edu/embodiment-mobility-and-transmission">read more</a></p> http://arcade.stanford.edu/embodiment-mobility-and-transmission#comments creative pedagogy embodiment Emily Drury iLAND Jan Mun Jennifer Monson learning migration seed dispersal walking http://arcade.stanford.edu/crss/node/1586 Mon, 10 Sep 2012 09:26:04 -0700 Meredith Ramirez Talusan 1586 at http://arcade.stanford.edu http://arcade.stanford.edu/pick-real-guitar-musica-practica-20 <p>&quot;Okay! As we continue our guitar journey, we need to talk about how you're going to be attacking the strings. And I'm going to recommend that you use a pick.&quot; David's tone is upbeat and encouraging, as always, and he seems to be looking right at me -- his ability to make eye contact with the camera is uncanny.</p> <p><a href="http://arcade.stanford.edu/pick-real-guitar-musica-practica-20">read more</a></p> http://arcade.stanford.edu/pick-real-guitar-musica-practica-20#comments embodiment gesture guitar guitar hero media music online pedagogy performance virtual http://arcade.stanford.edu/crss/node/816 Thu, 24 Jun 2010 14:02:34 -0700 Kiri Miller 816 at http://arcade.stanford.edu http://arcade.stanford.edu/undead-novel-part-one <p class="MsoNormal"></p> <p class="MsoNormal"></p> <p class="MsoNormal">In my last blog post, I wrote about the ways the Israeli artist Ohad Meromi’s recent installation <a href="http://www.gordongallery.co.il/Programme/Default.aspx?p=19">“Creative Circle”</a> allows its viewers to bodily encounter a set of objects that already exist in relationship. It’s understandable that we’d feel embodiment when we encounter performance (and, as Allison Carruth points out in her <a href="/jónsi-gesture-installation-voice">post</a> on Jònsi, the gestural often hums along under the radar of critical engagement: when we attend to it, our own somatic encounters with performance can be startling).</p> <p><a href="http://arcade.stanford.edu/undead-novel-part-one">read more</a></p> http://arcade.stanford.edu/undead-novel-part-one#comments Alexander R Galloway close reading embodiment form Garrett Stewart gesture Media Archeology mediation novel Ohad Meromi prose remediation http://arcade.stanford.edu/crss/node/746 Mon, 26 Apr 2010 14:27:35 -0700 Claire Jarvis 746 at http://arcade.stanford.edu