by Natalia Cecire | 04.18.2016
Who's got rhythm?  An American in Paris and the gritty reboot as epistemology of the closet.
by Mohammad Salama | 04.12.2016
“I am Muslim” is now an incomplete sentence, an utterance that must be finessed with a comma and another embedded sentence to mitigate the dismaying associations of the word “Muslim."
by Gregory Jusdanis | 04.11.2016
In the literary market, there is a preference for narrative over analysis that provides plenty of anecdotal evidence but little understanding. 
by Irakli Zurab Kakabadze | 04.04.2016
On the challenges facing the contemporary writer who dares to question the status quo. 
by Joshua Landy | 03.21.2016
Thanks to new software, soon all essays on literature will be researched, written, and read by computers. Then the rest of us can finally return to watching cat videos.
by William Flesch | 03.17.2016
On how memory relies on rhythm to fill in blanks by giving a silent voice to the unthought. 
by David Shih | 03.14.2016
The show can remind us that "white" is an idea invented to make superiority inheritable, like nobility.
by Cosana Eram | 03.07.2016
When does glossing become an authorial act? Can citation become a creative act?