by Holly Crocker | 04.02.2018
By seeing how heroic masculinity passes on a legacy of hatred and violence that continues old injustices, what comes to the fore is the vital need to acknowledge our own personal connections to histories of violence. 
by Jorge Cañizares-Esguerra | 03.22.2018
Maligned in popular conceptions of the history of medicine, Afro-American religious healers in early modern Cartagena played a constructive role in the development of an science that privileged empiricism over dogma in Pablo Gómez's new study, The Experiential Caribbean. 
by Lindsay Turner | 03.06.2018
A Finnish film about the inhumanity and pervasive danger of a system that functions to deny asylum and force deportation, even if that film is warm-hearted, should also be deeply unsettling to US viewers in 2018.
by William Flesch | 02.27.2018
When playing chess, what do you mean when you say "check"? Per Wittgenstein, perhaps we communicate in ways that have surprisingly little to do with what we actually say. 
by Steve Mentz | 02.12.2018
Rather than ignoring the toxic legacies of our industrial past, what if we engaged with remnants such as Newtown Creek to imagine a more fluid and dynamic Antropocene that moves away from green fantasies towards assessing troubling but necessary realities? 
by Lauren Klein | 01.29.2018
It is not a coincidence that distant reading does not deal well with gender, sexuality, or race. But if we re-commit ourselves to the project of exposing and interrogating power, we arrive potentially at a form of distant reading that is much more inclusive.
by Ali Shakir | 01.09.2018
The lifting of the driving ban marks a new era for women in Saudi Arabia, but why do US Liberals seem muted in their advocacy for similar progressive social policies around the Muslim world?  
by David Shih | 01.09.2018
When watching the film "Get Out," what if white people and non-black people of color saw their responsibility as more than nodding knowingly at microaggressions or bits of cotton stuffing? What if they realized that "Get Out" can also be about what it feels like to be themselves in America?