by | 02.27.2018
When playing chess, what do you mean when you say "check"? Per Wittgenstein, perhaps we communicate in ways that have surprisingly little to do with what we actually say.
by | 02.12.2018
Rather than ignoring the toxic legacies of our industrial past, what if we engaged with remnants such as Newtown Creek to imagine a more fluid and dynamic Antropocene that moves away from green fantasies towards assessing troubling but necessary realities?
by | 01.29.2018
It is not a coincidence that distant reading does not deal well with gender, sexuality, or race. But if we re-commit ourselves to the project of exposing and interrogating power, we arrive potentially at a form of distant reading that is much more inclusive.
by | 01.09.2018
The lifting of the driving ban marks a new era for women in Saudi Arabia, but why do US Liberals seem muted in their advocacy for similar progressive social policies around the Muslim world?
by | 01.09.2018
When watching the film "Get Out," what if white people and non-black people of color saw their responsibility as more than nodding knowingly at microaggressions or bits of cotton stuffing? What if they realized that "Get Out" can also be about what it feels like to be themselves in America?
by | 01.03.2018
What’s unique about the film "Lady Bird" is that its nostalgia for the USA of 2002-2003 isn’t quite nostalgia. With a strange gentleness, the film builds itself around the feeling of recognizing the scary present in a past you can still manage to love.
by | 11.30.2017
Donald Trump did not invent the ungrateful black athlete stereotype, but he made it familiar. The stereotype recasts professionals at the top of their game as that black person who doesn’t know how to do their job. Maxine Waters. Frederica Wilson. La David Johnson. Barack Obama. “Ungrateful” is only the latest way to say that a black worker is unworthy because they are black.
by | 11.28.2017
Religious reformers like Martin Luther laid the groundwork for the later emergence of Liberal political economy by purging late-medieval conceptions of the monetary instrument as a potentially boundless public utility from the collective imagination.