Post Script II. A few days ago I received a request to review an advance copy of An Invisible Rope: A Portrait of Czeslaw Milosz, edited by my friend and Stanford colleague Cynthia L. Haven (Ohio University Press, to be released shortly). Among other recollections of Milosz (he left an indelible mark in those who knew him), there was “Spring in Berkeley,” by Tomas Venclova.


News flashed the other day the death of Russian poet Bella Akhmadulina at the age of seventy-three.


These are the quietest days of August. Even close friends do not respond to emails. What a perfect time for a coup d'état, as in 1991, or a quick trial and execution of one's political opponents, as in 1936, or, if you think that bad things happen only in Russia, diving headlong into a "European War," as in 1914.


God knows, exile and wandering is as old as the hills, and some of the world's greatest stories are about this Odyssey or another.


Good news. My post about the new hi-tech city planned near Moscow and provisionally christened Solntsegrad, the City of the Sun, requires an update.


A history of forgetting is long overdue. I start it today with a short note prompted by recent news from Russia. The business section of The New York Times features an interesting piece by Andrew Kramer about the Russian government's push to replicate Silicon Valley by founding a new city not far from Moscow.


My essay on Aleksandr Terekhov's Kamennyi Most is featured in TLS this week under a very catchy title: "Mysteries at the heart of Stalin's empire."  


Gregory Freidin's picture
Gregory Freidin
Professor Emeritus, Stanford University
Gregory Freidin has written and taught extensively on Russian culture, literature, politics and society. His long-standing project on the Russian Jewish writer Isaac Babel includes a series of essays, the Norton Critical Edition of Babel's writings, letters, reminiscences and critical reception Isaac Babel's Selected Writings, W.W. Norton, 2009); a collection of essays on Babel's works and days, The Enigma of Isaac Babel, Stanford UP, 2009); his own critical biography of the writer, A Jew on Horseback: The Worlds of Isaac Babel, is forthcoming.  Freidin’s first critical biography, Coat of Many Colors (1987), a study of the life and oeuvre of the poet Osip Mandelstam, was reissued in paperback in 2010.  In 2004, Freidin organized an International Isaac Babel Conference and Workshop at Stanford, producing the U.S. premiere of Isaac Babel's play "Maria" (directed by Carl Weber) and curating an exhibition on Babel at the Hoover Libraries and Archives. These Babel-related events have received a permanent lease on life in “Babel in California,” by Elif Batuman, the events’ participant observer, who opens with it her critically acclaimed collection Possessed (FSG, 2010). Freidin's interest in contemporary Russian politics and culture found its venue in the US and Russian Press, as well as in the major conference held at Stanford University in 1998 - Russia at the End of the Twentieth Century - that brought together scholars, journalists, editors, and government officials from Russia and the US, including the Undersecretary of State Strobe Talbott, with who he translated the second volume of Nikita Khrushchev's memoirs Khrushchev Remembers: The Last Testament (1974). The First Russian edition of The Federalist Papers came out in Freidin's translation and with his introduction in 1990. Freidin grew up in Moscow and emigrated to the US in 1971. He attended Brandeis University in 1972 and University of California at Berkeley in 1972-78 (M.A. and Ph.D.). Freidin career at Sanford spans 1985-2014. Professor Emeritus, he now resides in Berkeley, California, where he continues his writings and research. A contributor to Arcade, Freidin maintains a personal blog on culture and politics The Noise of Time.