Blogs

by Leonardo Franceschini | 04.19.2018
On the vital role of the arts and hermeneutics in the current political climate. 
by Holly Crocker | 04.02.2018
By seeing how heroic masculinity passes on a legacy of hatred and violence that continues old injustices, what comes to the fore is the vital need to acknowledge our own personal connections to histories of violence. 
by Jorge Cañizares-Esguerra | 03.22.2018
Maligned in popular conceptions of the history of medicine, Afro-American religious healers in early modern Cartagena played a constructive role in the development of an science that privileged empiricism over dogma in Pablo Gómez's new study, The Experiential Caribbean. 
by Lindsay Turner | 03.06.2018
A Finnish film about the inhumanity and pervasive danger of a system that functions to deny asylum and force deportation, even if that film is warm-hearted, should also be deeply unsettling to US viewers in 2018.
by William Flesch | 02.27.2018
When playing chess, what do you mean when you say "check"? Per Wittgenstein, perhaps we communicate in ways that have surprisingly little to do with what we actually say. 
by Steve Mentz | 02.12.2018
Rather than ignoring the toxic legacies of our industrial past, what if we engaged with remnants such as Newtown Creek to imagine a more fluid and dynamic Antropocene that moves away from green fantasies towards assessing troubling but necessary realities? 
by Lauren Klein | 01.29.2018
It is not a coincidence that distant reading does not deal well with gender, sexuality, or race. But if we re-commit ourselves to the project of exposing and interrogating power, we arrive potentially at a form of distant reading that is much more inclusive.
by David Shih | 01.09.2018
When watching the film "Get Out," what if white people and non-black people of color saw their responsibility as more than nodding knowingly at microaggressions or bits of cotton stuffing? What if they realized that "Get Out" can also be about what it feels like to be themselves in America?
by Lindsay Turner | 01.03.2018
What’s unique about the film "Lady Bird" is that its nostalgia for the USA of 2002-2003 isn’t quite nostalgia. With a strange gentleness, the film builds itself around the feeling of recognizing the scary present in a past you can still manage to love.
by David Shih | 11.30.2017
Donald Trump did not invent the ungrateful black athlete stereotype, but he made it familiar. The stereotype recasts professionals at the top of their game as that black person who doesn’t know how to do their job. Maxine Waters. Frederica Wilson. La David Johnson. Barack Obama. “Ungrateful” is only the latest way to say that a black worker is unworthy because they are black.

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