by | 08.20.2018
A reflection on an influential figure in the genre-oriented criticism of the late twentieth century.
by | 08.01.2018
Traoré’s 2017 film reminds us that the border itself is a problematic institution. Even in its most stripped-down form, a border exists for the exercise of power against those populations whose movements it controls. Who crosses—and at what cost—depends on lines of race, class, and gender.